January 14, 2008
  Stand And Deliver

U.S. Highway 6, Central Nevada

(Central Nevada, 2007. Image copyright Hamish Reid. Click on image above for larger version).

U.S. Highway 6, Central Nevada: another of those two-lane blacktops that passes almost casually through landscape after landscape, snowy mountain ranges and passes, high desert, irrigated nooks and plains, dead two-house villages, vacant lots next to abandoned casinos…. My kind of road, I guess; I've driven it from Ely, NV, to Bishop, CA several times in the last fifteen years, always in the winter, and always in no hurry at all.

And somewhere halfway between Ely and Tonopah, there they were, in the middle of nowhere, no signs of houses or properties visible near the highway, and just the sagebrush and dirt tracks leading off across the plains towards the mountains. It was a striking image in real life; it's not quite so striking here or when printed, mostly because you really can't see that there's just nothing around these boxes, just a long straight highway and what looks like thousands of square miles of sagebrush. But even so, it's still a pretty evocative sight, and has that American Mythic West feel to it, both physically and culturally. The clouds also make this image as well, of course — it could have just been one of those gorgeously boring endless blue skies, but then there'd be no real texture there to contrast with the sagebrush and mountains, and no hint of past or future storms (and note that the sagebrush is deceptively green here due to recent rain — it's desert in reality, though, something you don't forget if you drive through here in summer).

And I can't help wondering if the next time I drive past here, there'll be a whole cluster of boxes, and it'll be obvious where the associated houses and settlements are. It might be in the middle of nowhere for someone like me, but that's no impediment for developers, is it?

January 01, 2008

Kennedy Street, Oakland, California

(Oakland, 2007. Image copyright Hamish Reid. Click on image above for larger version).

This is almost the view from my front window, a variation of a sight I see every day of my life across the road from my studio — a bunch of concrete trucks in the Redy Mix concrete plant, in front of the omnipresent ConAgra silos in (or right next to) Jingletown. This time, the concrete trucks seemed to be lurking like heavyset wild animals (hippopotamuses?) behind the wall of the Redy Mix yard, with the whole scene almost monochrome except for the tiny but very bright red light on the structure above the trucks and the subdued little splashes of colour on the trucks in the early-evening low overcast from the rainstorm moving in off the Pacific.

I like the way this image works, and not just because it's a characteristic slice of my current life and pretty typical of my neighbourhood. I think the geometry of the concrete plant, the trucks, and the silos all work together to make a nice image (the repeated cylinders, the diagonals, the rectangular windows and faces, the loping wires), and the subdued near-monochrome works to give an evocative atmosphere. But for me it's really that glimpse of the restless trucks lurking like animals in a pen that I wanted to capture: my days are full of the trucks, vans, shipping containers, barges, tugs, railway locomotives, bobcats, forklifts, roach coaches, industrial machinery, etc., that move past my studio and across the neighbourhood in steady streams at all hours. These things are the true wildlife of my neighbourhood: yes, there's a few ducks and geese in the Estuary, the usual stray cats and dogs in amongst the concrete plants, factories, and workshops (and even, once, a snake slithering across my street), and surely a bunch of rats everywhere, but the real wildlife, always scurrying or brooding or lumbering around the Jingletown, San Antonio, or Fruitvale districts is much more varied and interesting (at least to me). It's amazing how easy it is after many years of living here to be able to tell different types of trucks solely by the sound of their brakes, to be able to identify individual heavy barge types from miles up the Estuary by their wake, to see how the shipping containers are moved around constantly to graze on different lots over a month or two before being sent back to Japan or China or wherever, and to see the same familiar concrete trucks plying the same few hundred metres between the freeway and the (three) concrete plants around here every day.

So I've started to collect images like this for a putative "Jingletown Wildlife" series, not entirely facetiously — frankly, after all my years here, it's not hard to anthropomorphise (animise?) the trucks, machinery, and containers, etc., when there are more of them by far on the streets than people or pets. I'm not sure where the effort will take me (it'll probably turn out to be too twee for my own tastes), but there's no shortage of suitable images out there. We shall see….

(Note: this shot was done hand-held in rapidly fading light; I'm sort of amazed it turned out at all, let alone as sharp as it did (it prints well up to A2). Yes, there's a lot of chromatic aberration and fringing going on in the highlights, but that's a small price to pay for being able to get any shot at all).

Photolalia: Some images... and a few brief words about them. (Like Dancing About Architecture).

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About Me
Hamish Reid is a photographer, designer, and software engineer living and working in the Jingletown district of Oakland, California. This is his full profile.

You can get hold of Hamish at xyzphotolalia at ylayalixyz dot com without the xyx's.
Some Previous Posts
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Mission and Third
State Surrealism
The Business End
The New California Barber Shop
East Of Oildale
Castro Street
Right Place, Right Time.
The Indecisive Moment
May 2004
June 2004
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January 2005
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January 2008
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April 2010
Around Jingletown
Some Photoblogs I Like
(In no particular order, and rather capriciously:)

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